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But for Halt itself, and for its ardent viewers (there are really no other kind), the future is bright: The show has earned itself renewal for a fourth and final season, announced the day before the airing of this finale, clearly intended to serve as a final episode for the whole shebang if need be.
We’re going to get to see where these gorgeously drawn characters go from here.
That the time jump not only worked, but worked spectacularly, is a testament to what showrunners Chris Cantwell and Chris Rogers and their cast and crew have accomplished together this season.
We may have skipped forward into a new decade, a new age, a new period in the lives of our heroes, a new alignment of the relationships between them. So is the marriage of Gordon and Donna (née Emerson) Clark.
But they remain the people we’ve come to know, and their story remains the one we’ve come to eagerly anticipate each week as among the very best being told on television today. Gordon is comfortably shepherding the NSFnet project he inherited from the late Ryan Ray and his heartbroken friend Joe, and not-so-comfortably managing his teenage daughter and his increasingly debilitating brain condition.
Donna is a full partner at the venture capital firm of her friend and backer Diane Gould.
Most importantly of all, Cameron realizes that to be true to herself, she has to be rid of Donna once and for all.
Cam flees with Joe rather than spend one more second with the woman who stole her company; they wind up having sex in a steamingly hot, emotionally intense scene cross-cut between the anticipatory buildup and the act itself.Her look has become softer, cooler, less jagged, in much the same way that Joe morphed from angular hard-charger to sweater-weather zen master.